Hebrew · H8144

שָׁנִי

Crimson , properly, the insect or its color, also stuff dyed with it

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שָׁנִיH8144
Pronunciationshānī

What does שָׁנִי (shānī) mean in the Bible?

The Hebrew noun shānī names scarlet or crimson color and the thread, yarn, wool, cord, or cloth bearing it. Scripture uses the material in many settings without giving the color one fixed meaning.

Reader summary

Full entry for שָׁנִי (H8144) · Open the biblical lexicon

Questions this entry answers

What does שָׁנִי (shānī) mean in the Bible?

The Hebrew noun shānī names scarlet or crimson color and the thread, yarn, wool, cord, or cloth bearing it. Scripture uses the material in many settings without giving the color one fixed meaning.

How does the BSB render H8144?

The BSB source-word alignment has 42 aligned rows for this entry. Common renderings include . . . (27), scarlet yarn (3), in scarlet (2), a scarlet thread (1), and scarlet wool (1).

Where does שָׁנִי (shānī) appear in Scripture?

The source-word alignment first shows this entry at Genesis 38:28. Its strongest book concentrations include Exodus (26), Leviticus (5), Genesis (2), Joshua (2).

What This Word Actually Means

The Hebrew noun shānī names scarlet or crimson color and the thread, yarn, wool, cord, or cloth bearing it. Scripture uses the material in many settings without giving the color one fixed meaning. A scarlet thread identifies a child during Tamar's difficult delivery. Rahab ties a scarlet cord in her window as the agreed sign connected with her household's protection.

Scarlet yarn belongs to tabernacle curtains, cleansing procedures, and the red-heifer rite, where it functions within a larger commanded action rather than as independent power. David's lament remembers the luxury Saul provided, Isaiah compares deeply marked sins with scarlet before promising cleansing white as snow, and the Song celebrates lips like a scarlet ribbon.

The noun itself does not always mean blood, sacrifice, sin, royalty, or redemption. Responsible teaching follows each object, speaker, ritual, promise, and genre. It does not turn Rahab's cord into a protective charm, attribute cleansing to colored fiber, make red clothing a moral sign, shame bodies or cosmetics, or force every scarlet detail into a Christian allegory.

The material can mark identity, beauty, wealth, sacred craft, ritual process, covenant agreement, or poetic contrast according to context.

Sources