What does χρύσεος (chrýseos) mean in the Bible?
The Greek adjective chrýseos means golden, made of gold, or overlaid with gold. Its New Testament settings prevent gold from carrying one moral value.
Made of gold
Reading a lexicon entry
What this page is: Each lexicon entry shows the original Hebrew or Greek word behind the English translation: its meaning, its range of use, and where it appears in Scripture.
Strong's number: The Strong's code (H- or G-) is the standard reference number for this word. It connects this entry to chapter and passage language tabs.
Where it appears: The witness passages show where this word is used in context. Click any to open the study page for that passage.
This lexicon entry is part of our ongoing editorial review. If you notice missing content, unclear wording, or a possible correction, please send us a note through theConnect page. Screenshots are helpful.
The Greek adjective chrýseos means golden, made of gold, or overlaid with gold. Its New Testament settings prevent gold from carrying one moral value.
Reader summary
Full entry for χρύσεος (G5552) · Open the biblical lexicon
The Greek adjective chrýseos means golden, made of gold, or overlaid with gold. Its New Testament settings prevent gold from carrying one moral value.
The BSB source-word alignment has 18 aligned rows for this entry. Common renderings include golden (9), a golden (4), [the] golden (1), [were the] gold (1), gold (1).
The source-word alignment first shows this entry at 2 Timothy 2:20. Its strongest book concentrations include Revelation (15), Hebrews (2), 2 Timothy (1).
The Greek adjective chrýseos means golden, made of gold, or overlaid with gold. Its New Testament settings prevent gold from carrying one moral value. Second Timothy contrasts gold and silver vessels with wood and clay inside a large-house metaphor, but usefulness depends on cleansing and readiness rather than social wealth. Hebrews describes golden sanctuary objects while explaining the earlier covenant arrangement.
Revelation portrays golden lampstands, crowns, bowls, censers, altars, sashes, and a measuring rod within worship and apocalyptic vision. Yet the same book condemns idols of gold and shows a corrupt woman holding a golden cup full of abominations. Material splendor can therefore serve holy imagery, created objects, idolatry, or deceptive luxury. The adjective does not promise wealth, make a church pure, authorize expensive décor, or turn golden objects into channels of prayer and power.
Responsible teaching identifies the object, genre, and explicit interpretation, especially where Revelation explains the lampstands as churches and bowls as prayers. It also protects poor worshipers from status rankings, requires financial transparency, and refuses to use heavenly gold imagery to justify exploitative fundraising or shame communities with modest buildings.
Chrýseos describes household vessels, sanctuary objects, churches represented as lampstands, bowls of prayer, idols, corrupt luxury, and a measuring rod for the holy city. Gold can mark value or splendor without guaranteeing holiness.
A large house contains not only vessels of gold and silver, but also of wood and clay. Some indeed are for honorable use, but others are for common use.
Paul begins a household-vessel metaphor whose following verse emphasizes cleansing, consecration, and readiness for good work.
Containing the golden altar of incense and the gold-covered ark of the covenant. Inside the ark were the gold jar of manna, Aaron’s staff that had budded, and the stone tablets of the covenant.
Hebrews recalls golden sanctuary furnishings and covenant witnesses while describing the earlier worship arrangement.
Then I turned to see the voice that was speaking with me. And having turned, I saw seven golden lampstands,
John first sees golden lampstands within the opening vision before Christ supplies their ecclesial interpretation.
This is the mystery of the seven stars you saw in My right hand and of the seven golden lampstands: The seven stars are the angels of the seven churches, and the seven lampstands are the seven churches.
The vision explicitly identifies the golden lampstands as the seven churches rather than leaving the symbol unrestricted.
When He had taken the scroll, the four living creatures and the twenty-four elders fell down before the Lamb. Each one had a harp, and they were holding golden bowls full of incense, which are the prayers of the saints.
The text interprets the incense-filled golden bowls as the saints' prayers within worship before the Lamb.
Now the rest of mankind who were not killed by these plagues still did not repent of the works of their hands. They did not stop worshiping demons and idols of gold, silver, bronze, stone, and wood, which cannot see or hear or walk.
Gold joins other materials in powerless idols, exposing worship of human workmanship despite severe warning.
The woman was dressed in purple and scarlet, and adorned with gold and precious stones and pearls. She held in her hand a golden cup full of abominations and the impurities of her sexual immorality.
Luxurious appearance and a golden cup conceal abomination within Revelation's indictment of corrupt imperial seduction.
The angel who spoke with me had a golden measuring rod to measure the city and its gates and walls.
The golden rod belongs to the visionary measurement of the holy city's immense and ordered dimensions.
BSB source-word alignment connects this entry to exact verse rows, English rendering, source form, transliteration, and parsing.
How English Renders ItA compact distribution from source-word alignment before the full evidence tables.
Greek word. made of gold
Textus Receptus witness, full corpusGreek token appearances from Scrivener 1894 Textus Receptus in the full New Testament corpus.
16 of 18 Greek text appearances shown. Linked morphology labels have verse guides.
golden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read versegolden
Read verseFull New Testament corpus: 260 chapters, 7,957 verses, 140,628 tokens. Data source: honza/textus-receptus (data only), with authority check against byztxt/greektext-textus-receptus.
How this word appears across different grammatical cases and numbers.
This word appears as a noun across 1 case and number pattern. The form changes show how the word functions in a sentence; they do not change the basic lexical meaning by themselves.
Verse guides are not available for this word yet, so verse references remain plain evidence markers.
χρύσεος is built from this root:
Compound and idiomatic phrases that include this word. Follow a link to study the phrase and how its parts work together.
Chrýseos describes gold but does not decide whether the object is holy. Second Timothy's large-house metaphor names vessels made from different materials, then directs attention to cleansing and readiness for every good work. It cannot support ranking wealthy believers as more honorable. Hebrews recalls golden sanctuary objects within an earlier covenant arrangement that pointed beyond itself.
Revelation fills its visions with golden lampstands, bowls, altars, crowns, sashes, and measuring instruments, yet it also condemns golden idols and a golden cup full of corruption. The contrast is decisive: costly material can participate in faithful symbolism or conceal rebellion. Revelation sometimes interprets its own images, identifying lampstands with churches and incense-filled bowls with saints' prayers.
Teachers should honor those explanations before inventing new codes. A church may use beautiful and durable materials, but heavenly imagery never licenses opaque budgets, donor manipulation, debt pressure, or contempt for modest congregations. Faithful service is measured by cleansing, truth, worship of God and the Lamb, perseverance, justice, and good work, not by metallic splendor.
Gold is a created material, not a sacrament of success.
2Tim.2.20
Chrýseos is a Greek adjective derived from the noun for gold and agrees with the object it describes. Contracted forms appear across the New Testament, which helps explain why the governed word-table denominator exceeds the selected public artifact's current occurrence count.
Israel's tabernacle and temple used gold under detailed covenant instructions, and Hebrews recalls those objects while explaining their place in the earlier arrangement. Revelation reuses sanctuary and royal gold imagery while also exposing golden idols and corrupt luxury.